Tag Archives: U3A

Adult learners emerge from hibernation

Adult learners, Historical fiction, Literary fiction, Memoir, Poetry, Writing process,

Although the cold winds of COVID19 may return any day to rattle our ribs, anxiety has generally abated — at least for the time being, and at least in my corner of the social world. Various activities that have been suspended for months are now resuming. Among them are several informal education classes held in community centres.

MALA members at one of my previous talks

As groups of adult learners emerge from hibernation to participate again in programs run by organisations such as MALA and U3A, I’m glad to have been re-engaged as a speaker for a number of sessions in the coming weeks.

An earlier blog piece of mine — “In Praise of Older Readers” — expressed the enthusiasm I feel in engaging with mature-age groups of this kind. They bring a lively curiosity to each session; their questions and opinions draw on a wide range of experience; and they know how to be both thoughtfully critical and encouragingly appreciative.

Each Friday for the month of September, I’ll be presenting a lecture on some aspect of “Memory, Imagination and Writing” under the auspices of MALA (Mature Adults Learning Association). Memory and imagination are basic sources for many kinds of writing. Sometimes one or the other may predominate (e.g. memory for autobiography and family history; imagination for certain forms of fiction). But the most engaging literary works usually blend the two in creative ways, and this blend is part of the secret of writing successfully. I’ll discuss examples from a range of genres over the four sessions.

Then in October I’m due to talk to the Perth branch of U3A (University of the Third Age) on “When History Meets Fiction.” I’ll explore questions about the tension between fact and fiction in historical investigation. What options does an author have when evidence doesn’t tell us enough? This pair of lectures offers a fiction writer’s inside story of bringing the past back to life.

You may like to mention these courses to someone you know who could be interested in them. For more information, see the Events page of this website.

In praise of older readers

Readers, , , ,

With each passing year, Australians are generally reading fewer and fewer books of any kind. There’s dismal downward trend – except for one age category.

Part of a MALA (Mature Adults Learning Association – Peel branch) group attending my course on ‘Reading Like a Writer.’

A 2016 Roy Morgan study of our reading habits found that the proportion of Australians who read either fiction or non-fiction declined over the previous five years across all ages from 14 up to 64.

But among those 65 and over, the picture is different: a slightly higher proportion of them is reading books than back in 2010.

Comparable facts have emerged from a reader survey conducted by Macquarie University researchers for the Australia Council, published this year. Almost 40 percent of ‘frequent readers’ (consuming more than 10 books in the last year) are over the age of 60, compared to just 15.5 percent who are under 30.

I wonder how many publishers of Australian books and literary magazines pay close attention to those readership demographics. Most of the people who work in the publishing industry as editors, marketing officers and so forth are much younger than this significant group of mature-age readers, whose tastes and preferences surely deserve special consideration since they are the only group whose consumption of books is not dwindling.

What, then, are the tastes and preferences of mature-age readers? The Australia Council report indicates that only 36% of the over-60s cited ‘escaping reality’ as one of their reasons for reading, whereas it was important for 55% of the 14-29 group. And the older the readers are, the keener they are on literary fiction by Australian authors. More than half of those over 50 (rising to two-thirds for those over 80) say they like Australian literary fiction; for readers under 30 the figure is just a quarter.

None of this surprises me. I write literary fiction in a realist mode, and – to judge by the feedback I receive, and by the audiences who turn up to events at which I talk about my books – a significant proportion of those who read what I write are over 60. And most of them seem to me to be discerning readers, well informed, thoughtful, enquiring and enthusiastic.

I have especially in mind various groups whose members often invite me to speak with them on literary topics in general and my own work in particular: a number of book clubs, library-based circles, professional associations, special-interest groups, and organisations such as MALA (Mature Adults Learning Association), U3A (University of the Third Age) and Probus.

That’s where you can find many of the stalwarts whose support for serious Australian books remains steady while it is sadly weakening among the young.

May these mature readers continue to thrive!