Tag Archives: A Thousand Tongues

A story where past meets present

I’ve always tried in my previous historical fiction to raise issues relevant to our own times. So it’s encouraging when reviewers recognise (to quote one of them) ‘themes that speak to our present society’ in what I’ve written.

But I’m still aware that some readers see any stories set in the distant past as indulging in a kind of antiquarian escapism, looking nostalgically backwards instead of engaging with today’s concerns.

The book’s back cover

I hope any such misapprehension will hardly be possible for those who turn the pages of my new novel, A Thousand Tongues.

It tells a story in which situations from earlier periods are framed by a present-day setting, with characters in the here-and-now of contemporary Perth investigating characters from earlier periods and other places, discovering in the process that certain questions (e.g. about matters of conscience) are perennial even if they take different shapes as circumstances change.

Pleasant though it is to be praised for evoking authentic impressions of times gone by, my aim in A Thousand Tongues goes well beyond that – as the back-cover blurb asserts. In case you can’t see the text on the accompanying image clearly, here’s what it says:

Released from Dartmoor Prison in 1889, a black man soon breaks back into it. Interned in the same jail in 1917, a conscientious objector seems to invite trouble and seek punishment. On a present-day Australian university campus, a Muslim student is mysteriously murdered.

The suspenseful action of A Thousand Tongues reveals how these enigmas are interlinked. It explores racial and sexual tensions, twists and turns of conscience, the limits of historical enquiry, and legacies of guilt and shame.

“Ian Reid’s fiction is grounded in an understanding of how complicated character can be, how tragic fate can be, and how lives that might seem inconsequential carry the immense power of history and personality.” – Brenda Walker

Published by Framework Press, my novel is scheduled for release on the first day of the Australian spring season.

 

 

Cover preview

When its author first sees how a forthcoming book will look, there’s a frisson of pleasure.

So I’m very happy to share this preview of the cover of my soon-to-be-released fourth novel, A Thousand Tongues.

The design by Steve Barwick captures the story’s mood well, incorporating a landscape scene that figures importantly in the action. The row of stones, stark, uncanny, tongue-like, has stood in this part of Dartmoor since prehistoric times.

The title? It alludes to a speech by one of Shakespeare’s characters, quoted in an epigraph to the text.

More on this before long, as the release date draws nearer.